Shinichi Yamada
Shinichi Yamada is a Japanese ceramic artist and the thirteenth-generation head of Ikariya Kiln, a historic family kiln with over 400 years of history. Born in Namie, Fukushima, he works in the tradition of Ōbori Soma ware, known for its distinctive blue crackle glaze, double-layered structure, and iconic running horse motif symbolizing vitality and good fortune.
Ōbori Soma Ceramic Artist
After the 2011 earthquake and nuclear disaster forced the evacuation of Namie, Yamada rebuilt his kiln in Shirakawa. From there, he continues the legacy of Ōbori Soma ware while creating ceramics that feel both traditional and quietly contemporary.
The Tradition of Ōbori Soma Ware
Ōbori Soma ware is a historic ceramic tradition from Fukushima that dates back more than three centuries. One of its defining features is the double-walled structure, originally designed to retain warmth when holding tea or sake.
Another distinctive element is the blue crackle glaze (ao-hibi), which forms fine patterns across the surface. These delicate lines appear during firing and give each piece its own subtle character.
The Running Horse Motif
Many Ōbori Soma pieces feature the running horse motif, a symbol deeply connected to the history of the Soma region. Horses were historically raised in this area and came to be associated with strength, vitality, and good fortune.
On ceramic vessels, the horse is often depicted in motion, bringing a sense of life and energy to the surface. This motif has become one of the most recognizable elements of Ōbori Soma ware.
Rebuilding a Kiln After the Disaster
For generations, Ikariya Kiln stood in Namie, Fukushima. After the 2011 nuclear disaster forced the evacuation of the area, Yamada relocated and rebuilt his kiln in Shirakawa.
This transition marked a new chapter for the kiln. While preserving the techniques and identity of Ōbori Soma ware, Yamada adapted his practice to a new environment and continued the lineage of his family’s craft.
Shirakawa Studio and Materials
At his studio in Shirakawa, Yamada continues to create ceramics rooted in the tradition of Ōbori Soma ware while exploring forms suited to contemporary life.
Because the original clay from Namie is no longer easily accessible, he currently works with clay sourced from Aichi Prefecture. Through careful adjustment of materials and firing, he continues to preserve the spirit and character of Ōbori Soma ware while adapting to new circumstances.
He is also involved in the revival of Shirakawa ware, working with local clay and regional materials and connecting his practice to the surrounding community.